Sunday, 21 January 2018

Diego Week 1







Simon Week-1

I don't know why but my side view ended up being a mirrored version of the other ones. The rope arm (on the side view) is on the right instead of being on the left side like all 3 other views.
Also below is the cube perspective homework

























Assignment week 1 - Daniel



Wednesday, 17 January 2018

assignment 1 - example

Hello All,

Here is an example for your current assignment to show you what your image should
include.
My version is still in its draft state, but it gives you a good idea of what the objective is here.
Your isometric view should be shaded in black and white.
(If you want to shade all of your views, go ahead).
See you next Tuesday and do not forget the deadline for posting your images to the blog.
(Sunday midnight !).

Isometric projection

Tuesday, 9 January 2018

COURSE OUTLINE

Hello everyone,

This is the updated Winter 2018 Course Outline for Digital Sketching for Production


Week 1
Perspective 1
Course outline presentation
Drawing as a biophysical activity.
What is perspective ? a definition.
We go over the main notions of linear perspective : POV, Horizon line, field of view,
vanishing points, grid construction, foreshortening, high angle, low angle.
Division and multiplication of planes in perspective.
In class exercises - Fill in the exercise pages.


Assignment 1
Make a 4 panel view of a chosen object :
Elevation, top, plan view and perspective.


Week 2
Perspective 2
Mirroring in perspective - planes and curves.
In class exercises - mirroring planes and curves and simple objects.
Techniques to achieve accurate symmetry.


Assignment 2
Complete the half objects provided using the mirroring approach seen in class.
Do at least three.
Start with the simpler objects and move on towards the more complex.


Week 3
Perspective
Cast shadows, how to calculate them ; terminology ; shadow edges.
How to cheat cast shadows, approximate and eyeball.
Shortcuts to shadow tracing.


Assignment 3
Using the object you drew the previous week, produce a perspective view using
only values, and calculating an accurate cast shadow.


Week 4
Draw, Build and Draw.  
Make a sketch of your object of study.
Build a basic physical model of your chosen object using paper or cardboard or
a pale sculpting material.
Light it with one to three light sources and make 2 studies :
- B&W value study
- Full-colour study.
Don’t forget to take a picture of it to post to the blog.


Week 5
Basics of Sketchup
How to use Sketchup to create few basic lighting passes.


Assignment 5
Model in Sketchup your object of study of week 4.
Integrate this object in one of the 3 environment plates provided making sure your
correctly match perspectives.


Week 6
Textures and materials
How to make textures from scratch and apply them to objects or environments.
How to analyze textures and materials and work in passes to render.


Assignment 6
Keep integrating your object in its environment adding textures and materials,
matching lighting and mood.


Week 7
Lighting
Basics of lighting
How to render various types of lights : neon, tungsten,…
Light falloff.
Translating colours into values.


Assignment 7
Last week of work on your image. Final details lights, etc…


Week 8
Environment
Notions of composition.
Image construction. Image scenario and researching.
Sketching and thumbnailing.
Integration of elements into photos.
We go out into some yet to be determined Montreal location to take pictures and
sketch and find plates for set extension.


Assignment 8
Make 3 composition sketches for your final set-extension project.
And take pictures that will be used as the plates for your set extension.  
Think about how you can integrate the object you created in the previous section
of the course.


Week 9
Using photo references (photo-bashing)
Adjusting lighting, posture of characters, colour balancing, perspective…
Integrating vehicles.


Assignment 9
Keep working on your set extension for a second week.


Week 10
Finishing touches.
Flares, fog, atmosphere… tying it all together.
Paying attention to grain
Effects of depth and distance.